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They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, Deep Purple and Black Sabbath in the late 1960s and the early 1970s.They also had an impact on American southern rock groups the Allman Brothers Band Clapton, however, found the environment of Mayall's band confining, and sought to expand his playing in a new band.The album reached number 6 in the UK charts and number 39 in the United States.was included on only the American edition of the LP.) The track "Toad" contained one of the earliest examples of a drum solo in rock music as Ginger Baker expanded upon his early composition "Camels and Elephants", written in 1965 with the Graham Bond Organisation.Initially, the group were referred to and billed as "The Cream", but starting officially with its first record releases, the trio came to be known as "Cream".Being new and with few original songs to its credit, they performed blues reworkings that thrilled the large crowd and earned it a warm reception.There was little impact, as impresario Murray the K placed them at the bottom of a six-act bill that performed three times per date, eventually reducing the band to one song per concert.Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York.
Baker felt stifled in the Graham Bond Organisation and had grown tired of Graham Bond's drug addictions and bouts of mental instability. "Ginger had come to see me play with the Bluesbreakers.Early Cream bootlegs display a much tighter band showcasing more songs. But a mere two months later, the setlist shortened, with the songs then much longer.All of the songs are reasonably short five-minute versions of "N. The band first visited the United States in March 1967 to play nine dates at the Brooklyn Fox Theater in New York.Although the album is considered one of Cream's finest efforts, it has never been well represented in the band's live sets.Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love", several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favouring longer jams instead of short pop songs.
Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes.